2020
Il n'y a plus rien à voir is an artist's book documenting a protean project built around a reflection on the photographic medium and the ways we make sense of the world. Departing from the aporia of its title — "there is nothing left to see" — Nassim Azarzar moves from a familiar device, 60 worlds in a box (Polaroid photographs under glass, arranged like a scientific classification), toward the inevitability of slippage and the exhaustion of forms, questioning the rationalist grid as the sole method of producing knowledge. What emerges is an open question: what becomes of the world once humankind has exhausted its own image — a world of nature preceding human intention, or a world after Man?
